Existence Destined
In a world ruled by spirit arts and false gods, Kael Ravenshade awakens from a seven-year coma carrying the buried weight of countless past lives. He does not remember them clearly, but they shape every instinct he has. Love comes first. Tragedy follows immediately. On the night meant to seal his future with Alisa Silverwindcrest, Kael’s father is murdered for a spirit core he never knew he possessed. The killer is Alisa’s own father, a man driven mad by grief, believing power could resurrect the dead. Life proves otherwise. Death remains absolute.
As the city of Oakhaven rots under corruption and fear, monstrous beings known as Noxlurs descend, devouring spirit cores and turning humans into hollow predators. Kael responds not with heroism, but control. He creates Chariot House, a secret organization that exists only in dreams, where members see nothing but shadows and a false sun burning at the center of a long table. There, Kael takes the name Kryris and manipulates powerful individuals into killing without knowing whom they strike. Morality erodes. Blood spreads quietly.
The cost is unbearable. Alisa, hypnotized and weaponized, is sent to kill. Her target is Kael’s sister Zara. Kael intervenes too late. On the moon itself, love and violence collide. Alisa dies by Kael’s hand, asking only to be his bride in another life. That moment fractures Kael beyond repair.
He abandons the city and travels to Tianzhu, the land of gods, not seeking salvation but understanding. There, Kael learns the truth of the world. The Seven Deadly Sins are not monsters born of hell, but humans living ordinary lives, unknowingly bound to cosmic roles. One by one, Kael breaks their lives apart with precision, forcing their awakenings and bending them to his will. Strategy replaces mercy. Destiny becomes a tool.
Meanwhile, Oakhaven collapses. Noxlurs return. Illusions consume reality. Finn, Kael’s closest ally, loses everything. His grief awakens something ancient. He becomes Thalaris, a godlike force tied to destruction and protection alike. Zara, unaware of her nature, begins dreaming of thrones and sins. She is Vanitas, the God of Evilness, commanding horrors without knowing she truly exists as one.
The truth finally surfaces. Kael and Finn are not merely friends. They are twins reborn across eras. In the distant past, they discovered spirit arts together. Humanity prospered. Other nations invaded. Finn became the monster history remembers, creating Noxlurs to purge corruption. Kael became something worse, spreading extinction through silent viruses, ending worlds before killing himself. Over and over. Life after life. Memory fading each time.
Above them all stands God, not a savior, but a warden. Humanity, empowered by spirit arts, is destroying nature and nearing divinity. God intends to erase them entirely. Every tragedy, every sin, every rebirth was engineered to justify that end.
Kael and Finn rebel. They fail. God is untouchable. So Kael chooses the only remaining path. He seals Finn, erases spirit arts, annihilates Noxlurs, and breaks the divine justification for genocide. Humanity is saved not by victory, but by limitation.
Centuries later, in the year 2025, the world is quiet. A park holds an ancient sword. Kael and Alisa, reborn, walk together at last. Finn, with his family, lives peacefully. Zara laughs as a child, free of thrones and sins. The sword remains, containing what once nearly destroyed existence.
God’s creation was extraordinary. Humanity survived it.
